Each Artisan carries centuries of tradition - we simply bring their magic to your home.
TAPAS KUMAR JANA
Hailing from Sabang village of Midnapore district of West Bengal, Tapas Kumar Jana has excelled in the art of weaving Masland mats from the grassy reeds prevalent in the swampy areas of the land. Today, after gaining experience for more than three decades, Tapas is a master trainer, training the next generation of weavers who will successfully carry on with traditional art of weaving. He is also a National Award Winner and specialises in the art of weaving Premium Masland mats.
SAMIM RIYAJ
At the age of 35 today, Samim Riyaj has acquired excellence in weaving all types of carpets. Devoting 18 years of his life to the creation of this unique handicraft, Samim Riyaj humbly continues to create wonders through this art of weaving and enthralls people with his artistic work. He hails from South Dinajpur in West Bengal where he has held on to the family tradition of weaving in spite of the dire financial situations.
SAIDUL ISLAM
At the age of 53, Saidul Islam proudly dons the cap as the Master Trainer for the carpet industry in India. He is a State Award Winner and specializes in the art of weaving Kashmiri Carpets. Hailing from South Dinajpur in West Bengal, Saidul Islam has mastered this handicraft over the years as he recalls the beginning of it from early childhood.
SUBHA KARMAKAR
Subha Karmakar’s devotion towards the art of ‘wax-casting’, commonly known as Dokra, has helped him to earn a name in this traditional form of handicraft. Today, he dons the cap of the secretary of the Dokra Village Artists’ Association. Practising this unique art form for 14 years, today at the age of 30, he excels in creating the miniatures of horses, owls, elephants and tribal figures.
RAJESH KARMAKAR
Rajesh Karmakar, a Dokra artist from a remote district of West Bengal today specialises in the traditional Dokra art form as he had mastered this by working meticulously for the last 10 years. He, now at the age of 26, specialises in creating the miniatures of horses, owls, elephants and tribal figures by the ‘wax-casting’ technique that has been safely guarded by his ancestors.
RAKHI KARMAKAR
Rakhi Karmakar has excelled in the Dokra art of ‘wax-casting’ by sheer hard work and dedication for 15 years. Today, at the age of 35, she has specialised in the art of making Dokra jewellery that is one of the pioneer creations in the realm of handicrafts. She creates Dokra miniatures of gods, tribal couples and animals, other than jewellery.
PUJA KARMAKAR
Puja Karmakar, a Dokra artist from a remote village of West Bengal has engaged herself in the creative pursuit of the ‘wax-casting’ technique from the age of 13. Today, after 12 years of dedication towards the art form, she excels in making Dokra jewellery that is one of the pioneer creations in the realm of handicrafts. She also creates miniature forms of animals and the tribal community.
PRIYA KARMAKAR
Priya Karmakar has excelled in the Dokra art of ‘wax-casting’ by sheer hard work and dedication for 15 years. Today, at the age of 28, she has specialised in the art of making Dokra jewellery that is one of the pioneer creations in the realm of handicrafts. She has been into this artform for the last 15 years and taken it up soon after her marriage.
SANJAY KARMAKAR
Dokra artist, Sanjay Karmakar, hails from a remote district of West Bengal. He specialises in the traditional Dokra art form as he had spent 20 years mastering this by working on it meticulously. He, now at the age of 34, specialises in creating the miniatures of animals and tribal couples by the ‘wax-casting’ technique that has been safely guarded by his ancestors.
SABYASACHI CHATTERJEE
Three decades of passionate artisanship has made Sabyasachi Chatterjee, master the art of making beautiful artefacts with the technique of sholapith. Today, at the age of forty-eight, his ingenious pursuit in sholapith artwork includes a variety of eco-friendly craft items. Sabyasachi with his immense contribution to this incredible field, is a true bearer of the age-old artform of sholapith architecture.
RAKHI BHASKAR
The household chores of everyday life have not been able to dampen the creative spirit of Rakhi Bhaskar. Being a part of the lineage of the craftsmen of a remote district of West Bengal, Rakhi started contributing to this rich legacy after wedlock at the age of twenty. Today, at 28, she excels in painting the artistic masterpieces in wooden architecture.
PRAFULLA BHASKAR
The specialised art of wooden carving has been there for ages and the craftsmen of the remote district of West Bengal. Prafulla Bhaskar, a sexagenarian by age, has been involved in the art of wooden craft for over 45 years. His long rendezvous with the art form has made him a specialist in wooden owls, furniture, the famous wooden owl stool and owl printed table, as well as a variety of home decor items.
SHANTANA BHASKAR
Shantana Bhaskar has been successful in carving out a creative life for herself, in spite of the multitude of work that keeps her tied to her household. Married at the young age of eighteen, Shantana dived into the art of wood carving and adding colour to her unique masterpieces soon after her marriage. Today, at the age of 30, she is one of the master craftsmen living in obscurity in a remote district of West Bengal. But the creative spirit in her could not be lessened by the humble life that she leads.
ROJINA BIBI
Rojina Bibi has excelled in the art of Kaantha embroidery and proved that it is indeed a self-expression of the rural women of Bengal. Her artistic brilliance has found apt expression in lifestyle products like sarees, dress materials, salwar kameez, kurtas and dupattas. The magical artistry of the simple run stitches reaches its glory in the hands of Rojina Bibi.
NAZRUL ISLAM
At the age of 46 today, Nazrul Islam has acquired excellence in weaving all types of carpets. Devoting 25 years of his life to the creation of this unique handicraft, Nazrul Islam humbly continues to create wonders through this art of weaving and enthralls people with his artistic work. He hails from South Dinajpur in West Bengal where he has held on to the family tradition of weaving in spite of the dire financial situations.
DHARAM KARMAKAR
At an early age of 23, Dharam Karmakar has gained expertise in creating miniatures of gods and animals, by following the centuries – old ‘wax casting’ technique known as Dokra; an art that is rightly called a sustainable legacy of the tribals of West Bengal, Madhya Pradesh and Odisha. He has specialised in this art by his dedicated efforts for 10 years.
CHHAYA KARMAKAR
Forty years and still today at the age of 60, Chhaya Karmakar has not stepped back in creating beautiful Dokra miniatures. Not only these, she has proved her mettle in making jewellery that is a hallmark creation of the Dokra art form. She epitomises the family legacy of upholding the age-old technique of ‘wax-casting’ and enthusiastically engages the younger generations in it.
MANASHA KARMAKAR
Forty years and still today at the age of 55, Manasa Karmakar has not not stepped back in creating beautiful Dokra miniatures of animals and the tribal community. Not only these, she has proved her mettle in making jewellery and the mayurpankhi boats that are a signature creation of the Dokra art form. She epitomises the family legacy of upholding the age-old technique of ‘wax-casting’ and enthusiastically engages the younger generations in it.
MEENA SUTRADHAR
The household chores of everyday life have not been able to dampen the creative spirit of Meena Sutradhar. Being a part of the lineage of the craftsmen of a remote district of West Bengal, Meena started contributing to this rich legacy after wedlock at the age of twenty one. Today, at 33, she excels in wood carving and painting the artistic masterpieces in wooden architecture.
GOURI RANI JANA
The art of weaving mats with the grassy reeds has been upheld for generations and with an experience of over two decades, Durga Jana is now an acclaimed weaver of premium Masland mats for which she is the proud recipient of a National Award. She is also a master trainer and is a pride for the residents of Sabang village of Midnapore district of West Bengal. Weaving has been her passion and she enjoys pursuing this traditional and creative art amidst her other household chores.
MADHAV SUTRADHAR
The wooden figurines of West Bengal have always added to the richness and elegance of any household due to its grandeur enriched by its simplicity. The meticulous artisans of many remote districts of West Bengal have spent considerable amounts of time and hard work to hold on to the rich traditional artform based on wooden carvings. Madhav Sutradhar has engaged himself in this rich art for over forty years. Today, at the age of 56, he specialises in wooden owls, furniture, table lamps, figurines of gods and goddesses and a variety of home decor items.
GOUTAM BHASKAR
Goutam Bhaskar belongs to that community of craftsmen from a rural district of West Bengal that has been instrumental in continuing the tradition of wooden architecture, an art reminiscent of Bengal’s rich culture. A quadragenarian by age, he has spent thirty years mastering the traditional artform based on wood carvings. He excels in creating figurines of owls in wood, a possession that is passed down through the generations in many Bengali households. Goutam Bhaskar also specialises in wooden furniture, table lamps and a variety of home decor items. Carrying forth the history of Bengal’s wooden doll makers, the artist in Goutam Bhaskar proudly proclaims how his family has contributed in the upholding of the rich tradition.
ISMA BIBI
Isma Bibi has reconstituted layers of old sarees, dhotis and lungis into objects of traditional use through the humble art of Kaantha stitch. She has been engaged with this cultural heritage for 25 years and has been successful in creating this unique craftsmanship that has an aesthetic appeal. Today, at the age of 36, she specialises in all types of Kaantha stitch work as well as embroidery.
DEV BHASKAR
Dev Bhaskar, along with his academic pursuits relentlessly contributes to the traditional artform that his family has been carrying forward as a legacy for generations. He had started being a part of this unique creation from the tender age of ten. Today, at the age of 14, he helps his father in painting the wooden figurines that the latter creates. The final touch of colouring and drying the figurines also lies in his delicate hands and Ajay Bhaskar leaves no effort to run astray till he creates each of the masterpieces.
CHINA BIBI
China Bibi has emerged in her own terms from darkness and indigence by her sheer urge of weaving dreams to colours. Her elementary knowledge and skills at the age of ten prompted her to learn the nuances of Kaantha stitch and today after 25 years of dedicated effort, China Bibi has emerged as a specialist in all types of stitch work. She has been weaving dreams in sarees, dress materials, bed and cushion covers with the simple but elaborate art of Kaatha stitch and earning a living to feed her family.
ABDUL HASID
Abdul Hasid, at the age of 32 today, has acquired the mastery in weaving all types of carpets. With an experience of 20 years, Abdul Hasid humbly continues to create wonders through this art of weaving and enthralls people with his artistic work. He hails from South Dinajpur in West Bengal where he has held on to this art in spite of the dire financial situations.
ASAM KARMAKAR
Dokra artist, Asam Karmakar, hails from a far-off district of West Bengal. He specialises in the traditional Dokra art form as he had spent 33 years mastering this by working on it meticulously. He, now at the age of 48, specialises in creating the miniatures of animals, replicas of gods and goddesses, tribal couples and Dokra jewellery by the ‘wax-casting’ technique that has been safely guarded by his ancestors.
BISWAJIT KARMAKAR
Biswajit Karmakar, a Dokra artist from a far-away district of West Bengal specialises in the traditional Dokra art work as he had achieved mastery by working meticulously for the last 10 years. He, now at the young age of 18, specialises in polishing the miniature figures created by the ‘wax-casting’ technique that has been safely guarded by his ancestors. He can rightfully be said to give the final look to the figurines and make them a prized piece of art.
APURBA KARMAKAR
At an early age of 20, Apurba Karmakar has gained expertise in creating miniatures of animals, by following the centuries – old ‘wax casting’ technique known as Dokra; an art that is rightly called a sustainable legacy of the tribals of West Bengal, Madhya Pradesh and Odisha. He has specialised in this art by his dedicated efforts for 6 years. Apurba has also etched a name in creating the Dokra horse miniatures.
AJAY BHASKAR
Three decades of intricate artisanship has made Ajay Bhaskar, adept in the art of wood carving. Today, at the age of forty, his creative pursuit in wooden carving includes wooden owls, furniture, wall clocks, and an array of home decor items. Ajay Bhaskar also has been contributing immensely to uphold the age-old artform of wood architecture.
AMAL BHASKAR
The wooden figurines of West Bengal have always added to the richness and elegance of any household due to its grandeur enriched by its simplicity. The meticulous artisans of many remote districts of West Bengal have spent considerable amounts of time and hard work to hold on to the rich traditional artform based on wooden carvings. Amal Bhaskar has engaged himself in this rich art for forty years. Today, at the age of 52, he specialises in wooden owls, chairs, wall clocks, furniture, table lamps, figurines of gods and goddesses and a variety of home decor items.
PASQUALINA MONDAL
Pasqualina Mondal is a visionary artisan based in the vibrant town of Krishnanagar, nestled in the heart of Nadia, West Bengal. With a fervent dedication to sustainability and a keen eye for creativity, Pasqualina has carved a niche for herself in the realm of jute products. Driven by a deep-rooted love for her craft, Pasqualina specializes in crafting a diverse range of products using jute, a versatile and eco-friendly material. From stylish bags and accessories to intricate home decor items, her creations seamlessly blend traditional techniques with contemporary design elements. Pasqualina’s artistic flair shines through in every piece she produces, as she expertly manipulates jute fibres to create visually stunning and functional products. Her innovative approach to jute crafting sets her apart, as she constantly explores new techniques and designs to push the boundaries of her artistry.Beyond her role as an artisan, Pasqualina is deeply committed to uplifting her local community. She actively mentors aspiring artisans, imparting her knowledge and skills to the next generation. Additionally, she advocates for the importance of sustainable practices in craftsmanship, promoting awareness and appreciation for environmentally conscious designs.Pasqualina’s dedication to her craft has earned her widespread acclaim, both locally and internationally. Her beautifully crafted jute products adorn homes and wardrobes around the world, serving as a testament to her talent and passion. Through her work, she not only showcases the inherent beauty of jute but also highlights its potential as a sustainable alternative in the modern age. As a pioneer in the field of jute products, Pasqualina Mondal leaves behind a legacy of creativity, innovation, and environmental stewardship. Her unwavering commitment to her craft and her community serves as an inspiration to artisans everywhere, reminding us of the transformative power of artistry and sustainability.In Krishnanagar, where tradition meets innovation, Pasqualina Mondal stands as a shining example of artistic excellence and environmental consciousness. Through her masterful creations and passionate advocacy, she continues to shape the landscape of jute crafting, leaving an enduring impact on both her community and the wider world.
FALGUNI CHATTERJEE
Falguni Chatterjee is a highly skilled artisan hailing from the culturally rich region of Bolpur, Birbhum in West Bengal. With over 24 years of experience, he has mastered the art of crafting unique photo frames using copper wire, handmade cloth, and paper. His expertise lies in creating exquisite wall hanging photo frames that showcase his distinctive style and creativity. His signature technique involves intricate weaving of copper wire to form the frame structure, which is then adorned with meticulously crafted handmade cloth and paper elements.Falguni Chatterjee’s artistic repertoire encompasses a diverse range of themes, each inspired by the vibrant cultural heritage of West Bengal. His photo frames often depict scenes featuring Baul singers, traditional boats, Hindu gods and goddesses, tribal dancers, and other motifs that reflect the rich tapestry of Bengali culture.What sets Falguni Chatterjee apart as an artisan is his ability to blend traditional craftsmanship seamlessly with contemporary design sensibilities. His photo frames not only serve as decorative pieces but also as captivating storytelling mediums, evoking a sense of nostalgia and cultural pride. Throughout his career, Falguni Chatterjee has garnered acclaim for his exceptional craftsmanship and artistic vision. His work has been showcased in numerous exhibitions and galleries, both locally and internationally, earning him recognition as a prominent figure in the realm of handmade crafts. Beyond his individual achievements, Falguni Chatterjee’s legacy lies in his dedication to the preservation and promotion of traditional Bengali crafts. Through his artistry, he continues to inspire aspiring artisans and contribute to the cultural heritage of his community. His artistic journey serves not only as a testament to the enduring beauty and craftsmanship of handmade creations, but also highlights the rich cultural heritage of West Bengal.
BISWAJIT PRAMANIK
Biswajit Pramanik is a skilled artisan hailing from the picturesque town of Basirhat in West Bengal, India. With a passion deeply rooted in craftsmanship, he specializes in the intricate art of handmade wooden craft. Biswajit’s expertise lies in working with Mahogany wood, a material revered for its durability and rich colour. His meticulous attention to detail, evident in every piece he creates, reflects his dedication to his craft. Using traditional techniques combined with modern craftsmanship, Biswajit transforms raw wood into exquisite works of art.One of Biswajit’s distinguishing features is his use of ‘gala’ polish, which adds a lustrous sheen to his creations and enhances their natural beauty. Whether it’s a finely carved figurine, an ornate jewellery box, or an intricately designed furniture piece, each item crafted by Biswajit exudes elegance and charm. Biswajit’s passion for wooden craft not only showcases his artistic talent but also serves as a testament to the rich cultural heritage of West Bengal. His creations not only adorn homes but also tell stories of tradition and craftsmanship passed down through generations.For Biswajit, woodworking is more than just a profession; it’s a way of life. He believes in the timeless appeal of handmade craftsmanship and strives to preserve and promote this art form for the appreciation of the future generations. Beyond his artistic pursuits, Biswajit is deeply involved in his local community, sharing his knowledge and skills with aspiring artisans and fostering a culture of creativity and craftsmanship.Biswajit Pramanik’s dedication to wooden craft, coupled with his commitment to preserve tradition, makes him a revered figure in Basirhat and beyond. Through his timeless creations, he continues to leave an indelible mark on the world of craftsmanship
PARTHA GHOSH
Partha Ghosh is a visionary artisan hailing from the culturally rich town of Bolpur, nestled in the heart of Birbhum, West Bengal. With a profound passion for eco-friendly craftsmanship, Partha has emerged as a pioneer in the realm of jute and wooden powder crafting, redefining traditional artistry with contemporary finesse.Partha is the proud owner of ‘JUTE SHREE’, a platform where creativity meets sustainability. His adept mastery in working with jute and wooden powder has garnered widespread acclaim, both locally and internationally. Partha’s creations transcend mere utility as they embody a harmonious blend of functionality and aesthetic appeal.Partha stands apart for his unparalleled skill in crafting exquisite table-top and home decor items. Each piece is a testament to his meticulous attention to detail and unwavering commitment to quality. Whether it’s a intricately woven jute placemat or a finely sculpted wooden powder figurine, Partha’s creations exude elegance and sophistication.At the core of Partha’s artistic philosophy lies a deep-rooted reverence for nature. He believes in harnessing the beauty of natural materials like jute and wood powder to create sustainable alternatives to conventional home decor. By infusing innovation with tradition, Partha strives to inspire others to embrace eco-conscious living.Partha Ghosh’s artistic journey has been adorned with numerous accolades showcasing his enduring influence on the contemporary crafting landscape. His creations adorn the homes of art connoisseurs and enthusiasts alike, serving as timeless symbols of craftsmanship and creativity. As he continues to push the boundaries of his artistry, Partha leaves behind a legacy of innovation and sustainability for generations to come.In the bustling town of Bolpur, where tradition meets modernity, Partha Ghosh stands as a beacon of artistic brilliance. Through his mastery of jute and wooden powder crafting, he not only creates visually captivating pieces but also fosters a deeper connection with nature and heritage. As the proud custodian of ‘JUTE SHREE’, Partha continues to weave dreams into reality.
